Obsessive-Compulsive Disorder An Analysis of Melvin Udall...

Obsessive-Compulsive Disorder: An Analysis of Melvin Udall in As Good As It Gets The protagonist in the film As Good As It Gets, Melvin Udall is a successful romantic novelist who suffers from obsessive-compulsive disorder. From the onset of the film, Melvin displays ritualistic behavior that aligns with the diagnostic criteria for OCD, specifically the presence of obsessions, compulsions, or both. This paper focuses on Melvin’s particular psychopathology, analyzing the character’s current symptoms and diagnoses, the etiology of the disorder, and the key elements of his treatment. Melvin Udall lives a secluded life in his apartment among the busy streets of New York City. A middle age man of approximately 50 years, Melvin is currently†¦show more content†¦The movie shows Melvin performing these tasks and more in a continued effort for cleanliness. In one of the first scenes, Melvin immediately approaches his bathroom after entering his apartment, where he uses steaming hot water to repetitively wash his hand with multiple new bars of soap aligned in his bathroom mirror for each wash. SHOWER SCENE? WONT TOUCH GROUND W/O SHOES Melvin shows repeated signs of distress when too closely approached by other people or things, wearing gloves to avoid touching objects such as cab doors, the steering wheel of a borrowed convertible, and even Verdell, the neighbor’s pet dog. Even at restaurants, Melvin is compelled to bring his own set of cleanly wrapped plastic silverware. An even further extreme occurs while on the trip to Maryland, when a coat and tie w ere required at a fine dining establishment. Melvin refuses to use the restaurant’s used coat and leaves in order to buy a new one of which he approves. No measure is too extreme in appeasing his urges. About 60% of obsessive-compulsive disorder patients have multiple obsessions. Not only does Melvin display behaviors associated with his fear of contamination, but also he presents compulsions under the symmetry/exactness/†just right† symptom subtype. This subtype deals specifically with the need for symmetry, in which things are put in a certain order and rituals are repeated. Melvin has very specific expectations of order in his daily routine. Every

Please Also List Any Significant Or Meaningful Military

Please also list any significant or meaningful military history from your family not already included in your application. My paternal grandfather was in the United States Army and deployed overseas during WWII. After several months into his deployment, he was shot in the neck and evacuated out of France and given an honorable discharge. My maternal grandfather was in the Italian Army and was captured by American soldiers during WWII. He became a prisoner of war and agreed to help the American troops by providing intelligence to assist in the American invasions. My maternal grandfather s commitment to the American troops allowed him to immigrate to the United States where he became a contributing member of society and a dedicated family†¦show more content†¦While in high school, I was a top female athlete in my class. I played soccer and softball year-round and served as captain my senior year while concurrently volunteering for my local police department. I spent my summers working with the department, perpetuating my desire to live a life of public service. At the end of my senior year, I was recruited to play softball in college. As I weighed out my options, I knew my passion for service and leading would not be fulfilled by going to college. I decided the best way to continue to serve in a larger, more impactful way was to enlist in the military. Six months later, I was officially part of the Air Force as a police woman. Throughout my life, my parents instilled the importance of being educated and although I enlisted in the military, that did not stop me from pursuing my educational goals. Within six months of being assigned to my new base, I enrolled in college and started taking classes. By the second semester, I established a partnership with a local college so other airmen within my unit could take classes together and be collectively supportive of their educational endeavors. This was the first ever unit supported college class for our element. Although my military service was brief, it was impactful and changed the trajectory of my life for the better. It enlightened me to a multitude of issues affecting people across the globe and in our nation. I witnessed the caliber ofShow MoreRelatedSchindler’s List3038 Words   |  13 PagesSchindler’s List Part II: Engaging with the text Characters The characters in Schindler’s List are very different because of their attitudes towards the Holocaust. The three main characters that will be focused on are Oskar Schindler, Itzhak Stern and Amon Goeth. These characters were very influential during the Holocaust; therefore, it is important to analyze these characters to gain a better understanding of the film. 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Deconstructing Psychological Makeup of Premchand free essay sample

Deconstructing Psychological Makeup of Premchand Manoj Kr. Nanda Asstt. Professor Deptt. of English Communication Studies The Technological Institute of Textile Sciences Bhiwani, Haryana-127021 manoj. [emailprotected] ac. in Unlike the intellectuals of his time Premchand shared neither a deep allegiance to ‘glorious Arayan past’ nor a consequent alienation from the history of the ‘Grand Moghuls’. He wrote with an excellent psychological subtlety. By the time his works started appearing in print, Psychological Novel had been established as a genre and Hindi and Urdu as two languages were no exceptions to entry. Extraordinarily active, he produced countless letters and editorials, fourteen novels and over three hundred stories which bear a testimony to his genius. He drew inspiration from village world which became the richest subject of his best work. The terror at the possibility of disgrace, loss of face and ostracism, the shame of widowhood, the proverbial conservatism are the recurring strands in the fabric of Premchand’s portrayal of the folk life and his psychological understanding of the villagers is apparent in his works. Maupassant’s influence may be seen in Premchand’s preoccupation with the structure of his plots and trick endings but his ‘Power of A Curse’ moves past such limitations and achieves a high degree of success when measured by Western standards of that era. Influenced by Dickens, Tolstoy and Marx, Premchand seems to have directed his fiction towards psycho-social reform. In modern literature the tendency towards depicting literature has grown so much that narratives now-a-days try not to encroach the boundaries of direct experiences and we are not content to conceive that the characters, in their psychological makeup, resemble real bipeds. A writer tries to ensure the characters are real human beings and that one has succeeded in portraying real life situations. An event or situation doesn’t leave all of us with the same impression as we have different mentalities and standpoints to judge and reflect upon incidents that come by. â€Å"The success of a writer lies in having the reader agree with his own way of looking at things. †1 Premchand had an altogether different story. He surveyed the human nature of the contemporary world with sharp eyes, studied human psychology and built on characters to behave in every situation as though they were made of flesh and blood. In order to understand and appreciate the novelty and originality of Premchand’s fiction it is essential to grasp its point of departure. At the time when he started reading and writing in the last decade of the nineteenth century and the first of the twentieth century, fiction in Hindi and Urdu depended mainly and largely on kissas and fasaanas of adventure, romance and magic what they termed as tilism, and finally on detective and historical narratives (translations from Bengali and even original compositions). It was none but Premchand who changed the reader-writer psychology by introducing characters in fiction from the rustic life like Halku, Amina, Heera-Moti and so on. It was Premchand who introduced portraiture of the atrocities of the so-called zamindaars who represented the flourishing section of the society. And all this was not entailed by a sound knowledge of psychology. It was rather compounded by his preference for simple living which, in return, furthered the cause of Premchand being established as a â€Å"quintessentially poor Hindi writer. †2 The first instance of his new formula appears in a story in 1910, ‘Rich Daughter-in-Law’, purportedly one of his own favourites. With a few, sure strokes the narrator presents the socio-economic context and the psycho-social characteristics of each character. Premchand takes a common occurrence or a familiar social practice and shows its critical consequences while, at the same time, takes in turn the points of view of all involved by setting things on a conciliatory course. It was a formula that brought together realistic descriptions of setting, character and the psycho-social relations with melodramatic features such as virtue misrecognised, the use of chance, intense emotional and ethical dilemmas and strong scenes. 3 Premchand took it as a task to convince the critics that fiction was a serious enterprise of psychology and it could contribute to the project of social and cultural reform. Though Premchand, like his contemporary writers, read and enjoyed Sarshar and Reynolds, he was quite clear about the different premise he was to write on. In the words of Premchand, â€Å"A navil draws a clear picture of the period it narrates, it throws light on its customs, habits and behaviour and it gives no place to supernatural events, or even if it does, it is with such skill that ordinary readers will consider them to be true. 4 For instance, in Premashram the range of social characters and relations is introduced through the well known device of the family plot and through two parallel plotlines, one follwing the course of events related to the family of zamindar in Banaras and its connections to the police service, the bureaucracy and the law, and the other related to some villagers who are also the te nants of the zamindar in a village a few miles outside the city. The village plotline charts a gradual path towards united action as the ruthless zamindar embroils them in one court suit after another, involving mass arrests, false witnesses and other forms of intimidation. â€Å"This structure is greatly complicated by the psychological presentation of the villagers who include a variety of psycho-social types and attitudes. †5 Nirmala is exemplary in this respect. Premchands Godan produces the rustic, simplistic and heart-rending lives of the peasants. Far, from exaggeration,Godan is a novel of stark reality. It deals with the dreams, despairs and day-to day events of Hori, the protagonist of the novel, and his family. Through the peasants, Premchand has portrayed the pathetic life of the rural arena. Hori is an embodiment of peasant-virtue, simplicity and truth. He leads an inconsistent life with his wife Dhania, and his three children. Their unstable financial situation always tends to lend them frustration and despair. A tension-free life is not theirs. If they spend a quarter of their lives in starvation, they spend the rest paying unwarranted loans. The money-lenders take full advantage of their poverty ad therefore take unreasonable interest from them. Premchand writes: A loan was an unwelcome guest, once in the house, dug himself into permanent fixture. The money-lenders also exploit the ignorance and gullibility of the peasants. The village-folk in the higher strata of society, who are financially sounder, take advantage of the village-peasants. In the novel, we find, we find how Dulari mounts a small amount of money into a hundred rupees within a small fraction of time. Thus Premchand presents a vivid picture of the psycho-social tendencies and as â€Å"a keen observer of social life, comes down heavily upon intricacies of Indian society and raises relevant questions related to the lives of the downtrodden folk. A deft handler of irony, he is able to distance himself from the actual scene and attains rare artistic detachment. †6 References: 1. Rubin, David. The World of Premchand. OUP, New Delhi, 2004. 2. Premchand, Munshi. Sahitya Ka Uddeshya-Presidential Speech given at the First Progressive Writers’ Conference, Lucknow, April 09, 1936. Saraswati Press, Allahabad, 1982 p5 3. Talwar, V. B. Kisan, rashtriya Andolan aur Premchand-1918-22. Northern Book Centre. New Delhi, 1990 4. Premchand, Munshi. ‘Sharar aur Sarshar-Vividh Prasang’. Hans Prakashan. Allahabad, 1962. Vol-1, p. 60, originally published in Urdu-e-Moalla, 1909. 5. Brooks, Peter. The Melodramatic Imagination. New Haven. Yale Univ. Press, 1976. 6. Verma, Ashok Singh, Gulab. ‘Deconstructing Power Structure in Premchand’s Thakur’s Well’. www. languageinindia. com-July 07, 2011. Retrived Aug 17, 2011

Should reality shows have regulations free essay sample

I feel that anything that can be watched by our children during Prime Time Hours should be regulated. I watched a show â€Å"Housewives of Atlanta† and I was outdone with the antics, of course I know that sometimes things get out of hand. It was chaotic, and it causes our young people to think that these actions are valid because they get mega bucks to do this. When these shows are developed, it’s with the hope that they will be successful, and the show will soar through the roof in ratings. What about our children? As parents, guardians, and grandparents give them enough upbringing socially, and morally to know that not everyone lives this way. This is not how we would like for them to lead their lives. So yes; there should be regulations in place. Who is in control of making sure that reality shows don’t go too far? The FCC regulates what we see on TV, but I think it needs to be looked into, or some of the rules in place need to be broader and have more moral ethics. We will write a custom essay sample on Should reality shows have regulations or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page The FCC says â€Å"The shows are prohibited from rigging of any kind, exploiting children and other things such as nudity and language that are not censored† (Amy Nutt) â€Å"When participants sign on to be a part of a reality show they sign contracts and are then bounded by the terms of the contract, and if they violate the contract they risk being kicked off the show. (Amy Nutt) â€Å"There are laws and regulations which govern reality TV shows. † (Amy Nutt) I hear what is being said about the laws of governing reality shows. Does that mean the checks and balances are not holding up, or is it that no one really cares? We have a moral and social right to protect our children and their immature minds. â€Å"This may be hard to believe since many reality TV shows seem cutthroat, but actors are aware of the type of TV show they are taking part in and agree to such treatment in their contracts. This is what makes the show interesting† (Amy Nutt). I know that we have laws that govern, is this all we need to regulate the quality of our viewing? I was reading a blog by dstokes, posted on August 24, 2012 and this is the general thought of what he felt. â€Å"Reality television plays a major role in the society. †(dstokes) â€Å"As many know, reality TV can range from shows that are more realistic then others. †(dstokes) â€Å"Even though that may be true, all reality shows are entertaining and have a reason to be broadcast on worldwide television sets. † Because something is entertaining, doesn’t mean there is nothing wrong with it! â€Å"Reality television shouldn’t be banned from television channels due to its lack of censorship and unrealistic life issues. †(dstokes) â€Å"Banning shows from networks that are categorized as a reality show because of its lack of censorship should not be allowed because it will ultimately result in the loss of viewers of the channel. † The reality show should be aware of the fact that there are younger viewers and audiences that have morals. â€Å"Certain words that are not censored on television deserve to be broadcasted because we are exposed to such words in our everyday lives. † (dstokes) It seems that some people are lax about the language used inappropriately it is an issue. â€Å"Also, the lack of censorship of certain body parts on reality television should continue to be permitted because it is the viewer’s decision to remain watching what he/she is viewing†(dstokes) I have a big problem about nudity we have enough porn being shown in a nice way. â€Å"Having a certain perspective towards viewing the lack of censorship on reality television also plays a major role in society! †(dstokes) â€Å"It is better for the viewer to view the lack of censorship on reality TV shows as the TV star having enough confidence to expose certain body parts and express their freedom of speech opposed to viewing reality TV as if the reality TV star is morally corrupt by degrading their body and using profane language. †(dstokes) Now I do believe that a person should be able to make their own choices, but this is beyond liberal, and dstokes finishes his blog with this closing statement. â€Å"Reality television should remain broadcasted regardless of its lack of censorship and unrealistic life issues because it is entertaining and it indeed displays real life issues depending on the show. †(dstokes) â€Å"Banning reality television from TV networks is not a well-thought out or educated decision† (dstokes) â€Å"Our lives off camera aren’t censored, so what we watch on TV shouldn’t have to be either† (dstokes) â€Å"Instead of banning reality television, viewers who oppose it should disregard reality TV as a whole and watch a show of a different category or set-up parental block on reality shows† (dstokes) Considering that we cannot always be with our children where ever they are, I can still say that there should always be a controlling factor in regulating Reality TV shows, regardless of what happens in our everyday lives. Just because I can be exposed to immorality, lewd, and depraved actions doesn’t mean I want to live like that, or have my children exposed. With all the gadgets they have to watch Internet, I pads, etc. , it becomes more of a moral issue and duty to make sure it is regulated in our everyday life.